Designed by John Roshell, Letterhack Sans is a display sans and grunge font family. This typeface has four styles and was published by Comicraft. Download Now Server 1 Download Now Server 2 Download Now Server 3 IT’S MAILBAG TIME! Dear Jolly JG Roshell and Rascally Richard Starkings, Comicraft Fonts are a thing of Beauty and a Joy Forever! You guys must be a Wild Bunch, and I roar with delight whenever a new comicbookfonts release appears in my emailbox. But I have to level with you daredevils…what about us Letterhacks? We need representation too! We haven’t spent years hammering away on our typewriters to be ignored! BRING BACK THE LETTER HACK! In fearless font form. You know it makes sense! Truly Yours, Forbush, Irving, senior. We give up! We can’t resist your appeals, threats and commands ANY LONGER!!! We may crack under the strain, but this month’s release IS two (...
Designed by Jorge Cisterna and Bruno Jara, Blackberry is a western, wood type and dingbat font family. This typeface has ten styles and was published by Los Andes Type. Download Now Server 1 Download Now Server 2 Download Now Server 3 Blackberry is a display family inspired by vintage packaging design, old-fashioned ads and show business marketing campaigns. The font shares common characteristics with Wood Type typefaces such as angular serifs, slightly curved strokes and sharp edges which bring it in tune with contemporary design. Blackberry is a versatile layered-type font system composed of 3D extrusions, shadows, inline and outline styles as well as dingbats and flags. Its character set supports over 200 Latin-based languages. The Blackberry family offers multiple combinations and a variety of choices to provide high-impact graphics including labels, packaging, branding ...
Designed by Vika Usmanova, TT Frantz is an art deco and display sans font family. This typeface has four styles and was published by TypeTrends. Download Now Server 1 Download Now Server 2 Download Now Server 3 TT Frantz is an experimental variable font, distinguished by its slimness and lightness. The variation in the font affects the change in the height of the mean line—by moving the axis adjustment slider you can easily raise or lower the mean line of the font. In TT Frantz, you can find small references to the art deco aesthetics, which are expressed in significantly lowered or, conversely, heightened waist of the letters. In addition, depending on the position of the axis adjustment slider, the closedness of the aperture changes for some letters. In order to preserve the main feature of the font—the change in the height of the main line—we made lowercase characters as...